In Beyonce’s case in particular, it seems the singer has been able to get away with a whole lot, expressly because of her status as someone very few people both within and outside the industry can speak on. But if there’s one thing Katt Williams is known for, it’s being defiant of the rules.
The comedian was a guest on Suge Knight’s podcast, Collect Call with Suge Knight, on Tuesday, Jan. 16, and during the episode, Williams talked about his interview with Shannon Sharpe on his Club Shay Shay podcast, which ended up going viral after the funnyman called out several fellow comedians and celebrities.

One of the stars Katt called out during his sit-down was Ludacris, who ended up responding to the slander with a freestyle he posted to his Instagram page. Now, Williams is using the same tactic to respond back, playing an unreleased diss track aimed at Ludacris on Collect Call with Suge Knight.
“I’m coming for your number one spot/One of us a killer and the other one is not/ One of us the realest and the other one a fraud,” the comedian raps.
He continues: “Oh Chris, I wish it never came to this/And you are pissed, rap for free for the first time but you dissin’ this/The wrong side of history in a time like this/So Ludacris/Sorry, Uterus/You were infant chronicles, n****, you ain’t new to this.”
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In 2015, the performance of “Un Bel di Vedremo” from Giacomo Puccini’s M. Butterfly, performed by Carmen Monarcha and André Rieu, delivered an emotional performance with melodies imbued with pain and hope that moved many to tears, unable to take their eyes off the stage. Uncategorized khanh linhlt · 07/11/2024 · 0 Comment Here is an article about Carmen Monarcha and André Rieu’s performance of “Un Bel di Vedremo” from Puccini’s M. Butterfly in 2015: Carmen Monarcha and André Rieu’s performance of “Un Bel di Vedremo” from Giacomo Puccini’s M. Butterfly is an emotional and captivating musical moment. The work, composed by Puccini, is characterized by dramatic melodies and a strong emotional struggle between the two main characters. In the 2015 performance, Carmen Monarcha, with her captivating soprano voice, performed this famous aria beautifully, keeping the audience glued to the stage. “Un Bel di Vedremo” is one of the most touching arias in M. Butterfly, where the character Cio-Cio-San (Madame Butterfly) expresses her hope for the return of her lover after a long separation. The song contains pain and undying faith in love, with a melody that is both elegant and full of longing. Carmen Monarcha, with her powerful and delicate voice, perfectly conveyed the character’s emotions. She not only sang but also lived each word, making the listener feel the torment, hope and disappointment of Cio-Cio-San. Meanwhile, André Rieu, with his violin and talented conducting, created a wonderful harmony with Monarcha’s voice. Rieu’s orchestra not only highlighted Puccini’s melody but also enhanced the emotional power of the performance, making the space seem to be filled with the character’s feelings and longing. The audience’s reaction to this performance was extremely enthusiastic. Many said they were drawn into the emotional musical space created by Carmen Monarcha and André Rieu. The melodies imbued with pain and hope moved many people to tears. Rieu’s combination of opera and symphonic music, along with the subtlety with which Monarcha conveyed emotion, made this performance one of the memorable moments in both artists’ careers. (TB)

“In real life, I’m Fast and Furious/In real life, you bi-curious,” he continues. “You heard the interview on ‘Club Shay Shay,’ I gave ’em all a payday/ I’m still going fu**ing viral so who care what the haters say/ Ludacris, you must be out your rabbit-a*s mind/ You made a rap song but, n****, you ain’t say I’m f**king lying.”
This back and forth between Williams and Luda comes after the comedian claimed Ludacris accepted a proposal from the Illuminati, which is the reason he’s in the many Fast and Furious films.